![]() ![]() That's because it's designed as a practice tool for instrumentalists, not for making records. to the best of my knowledge no one ever has as of yet. I can’t see using BITB on an actual record though. ![]() (but of course there are backing tracks available for less said: (you may look for it on eBay, it's frequently sold for about half the price or less - depends on release date, 2 years back is ok, 5 is not so cool)īiaB is pretty unique, I don't no any other software with comparable features. If it's your cup of tea, then the UltraPack (shipped on a harddisk) is what you want. The entry version of BiaB is just that, an entry to check the software out. In the Jazz or Country domain it's almost a no-brainer, but PG Music opened up to modern styles a lot in recent years. It's only worth the effort if you consider sounds and styles fitting your ideas. The Realtrack/Drum approach is very close to recording real people playing - it's close to impossible to achieve the same with traditional sample libraries, let alone within the same amount of time.īiaB in fact looks like a piece of shite on screen - and it definitely has a learning curve. With any midi soundgenerator/sampler the software can still apply all it's (midi) style 'knowledge' on any midi file. ![]() You can create own 'style descriptions' which includes to teach BiaB your personal musical style. The audio quality is flawless with 1:10 compression, the 'audiophile edition' is uncompressed. These tracks are live studio recordings (length up to 10 Minutes) and are indexed (with extreme detail) in a way that you can turn a Swing performance into Reggae, Hardrock or whatever with 1 single mouseclick.ĭuring repeated playback of the same track the programm slightly alters it's performance like a human player would, and keeps the style according to genre/artist. The answer you got was correct in regard to amount of cash, but there's a huge difference of BiaB soundsets (called Realtracks and Realdrums) in comparison to regular sample sets. ![]()
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